The Aesthetics of Interactive Computer Music

The Aesthetics of Interactive Computer Music

SALIERI: A General, Interactive Computer Music System

In this paper we describe the Salieri System, an interactive software environment for structure oriented composition, manipulation, and analysis of music. The system is built on the newly developed Salieri Language, a universal programming language based on a hierarchical model of formal music representation, combining features of traditional functional and procedural programming languages with...

An Online Interactive Course on Computer Music

We have developed a highly interactive, online course to teach Introduction to Computer Music. The course is intended for students with a basic knowledge of programming and teaches principles and techniques of sound synthesis and algorithmic composition using a hands-on, projectoriented approach. The course contains an extensive set of short video lectures complemented by about 80 interactive, ...

Real-time Interactive Performance with Computer Graphics and Computer Music

This is a report of some applications of human-machine systems and humancomputer interaction about experimental multimedia performing arts. The human performer and the computer systems perform computer graphics and computer music interactively in real-time. As the technical point of view, this paper is intended as an investigation of some special approaches: (1) real-time processing and communi...

An Interactive Aural Approach to the Analysis of Computer Music

Computer music presents particular challenges for the analyst. This paper discusses the approach taken by the author to tackle these issues in analysing Jonathan Harvey’s work Mortuos Plango, Vivos Voco [2]. The focus of the paper is not the analysis itself but the problems posed for the analyst by such a work and the methods used to try and resolve them. It describes a number of different tech...